All through the generation of our Short Film Trailer for WARP Films in Unit 46, I took upon myself the part of supervising and dealing with the film group as the Director. This included undertaking and contributing fairly to each operation all through every period of generation yet for the most part.
Commitment to media item
Tackling this dedication implied I needed to deal with alternate individuals from our creation group, ensuring that their individual assignments were satisfied. We started this anticipate with generation gatherings, making beginning ideas, thoughts and potential story-lines as confirm on these pages beneath. The generation for 'In Static' started on the third of March 2014 and was finished by May 2014. The Production Gant Chart underneath gives a representation of the timescale of making this film.
Gantt Chart

TREATMENT
THE FOLLOWING, WILDFIRE PRODUCTIONS.
THE BRIEF
For this task, we are making a film trailer in the style of warp.
TARGET AUDIENCE
15+, females because the narrative is based on females, and the female audience will be routing for her to escape; 15+ due to the fact that it isn't too violent or sexualized
SEGMENT SYNOPSIS AND HOW IT RELATES TO THE BRIEF
Shane is in love with Emily, however she is already in a relationship with Sam. Shane kills off Sam in a jealous rage, but keeps the fact that it was he from Emily; he begins to comfort her during her loss. As the pieces begin to fit together she realises that Shane kills Sam and attempts to escape but Shane catches her and keeps her captive in his basement that leads to Emily's sister (Rebecca) trying to rescue her. (Characters: 2 girls, 2 boys). This links to the brief as we have been asked to make a film trailer.
KEY MILESTONES
27th october pre- production planning
10th november-12th of december:filiming
19th December on wards :editing
30th march final submisson
lauch date 13th
27th october pre- production planning
10th november-12th of december:filiming
19th December on wards :editing
30th march final submisson
lauch date 13th
Find location
Find the cast
Get equipment/ props
Arrange meet ups (Inc. times, dates etc.)
Film
Edit
Add non-diegetic sounds
EQUIPMENT
Camera
Boom mic
Dolly
Lights
Tripod
PROPS AND MODELS
Rope
Gun
Bullets
Keys
Phone
HEALTH AND SAFETY CONSIDERATIONS
for each location that we film in as part of this production we will complete a Recce form and a risk assessment.
Be careful when running on stairs, and also be careful on slippery floors if wet, and watch out for doors.
Make sure not to leave camera bags on the floor in case someone trips.
Make sure that the equipment does not overheat/ get wet.
Make sure that actors are wearing suitable footwear.
Must be careful when crossing roads/ over tram tracks etc.
LEGAL AND ETHICAL CONSIDERATIONS
According to Ofcom who regulate broadcasting on TV, for our production these are the rules we must follow (Material that might seriously impair the physical, mental or moral development of people under eighteen must not be broadcast). We must not show swearing, graphic violence, explicit sex scenes or alcohol and drugs before the watershed. (The watershed is at 9pm; the unsuitable material listed earlier cannot be shown before this time as children may be watching television). Due to this our trailer will therefore be shown post watershed, as according to the BBFC the film certificate for our film will be an 15 as we include graphic violence and swearing within our film trailer.
Rules for violence that we must abide by:
- Programmes must not include material (whether in individual programmes or in programmes taken together) which, taking into account the context, condones or glamorises violent, dangerous or seriously antisocial behaviour and is likely to encourage others to copy such behaviour.
- our film trailer does not promote the idea of violence to the audience as it has mild violence shown very often
- Methods of suicide and self-harm must not be included in programmes except where they are editorially justified and are also justified by the context.
methods of suicide and self harm most not be included in the program except where they are editorially justified. it is important to follow the BBFC guidlines to protect a younger audience which are more vulnerable from the issues in the film trailer
The Data Protection Act 1998 (DPA) is an Act of Parliament of the United Kingdom of Great Britain and Northern Ireland which defines UK law on the processing of data on identifiable living people. It is the main piece of legislation that governs the protection of personal data in the UK. consent must be sought of individuals who are featured in photography or video footage, we will do this by making sure every actor and person featured in the the trailer has signed a consent form
The Data Protection Act 1998 (DPA) is an Act of Parliament of the United Kingdom of Great Britain and Northern Ireland which defines UK law on the processing of data on identifiable living people. It is the main piece of legislation that governs the protection of personal data in the UK. consent must be sought of individuals who are featured in photography or video footage, we will do this by making sure every actor and person featured in the the trailer has signed a consent form
distribution methods
our trailer would be found on websites such as youtube, social media sites, netflix and on demand sites, our trailer would also be shown in cinemas before other films with the same certificate are played mass and commercial to reach a broader audience.
TREATMENT
THE PROJECT, WILDFIRE PRODUCTIONS.
THE BRIEF
· For this task we will be making a film trailer in the style of Warp.
TARGET AUDIENCE
· 18+, this is due to all the violence and murder and would not be appropriate for a younger audience. This will be aimed at a male audience due to all the violence. The film will also be aimed at the ABC1 category.
SEGMENT SYNOPSIS AND HOW IT RELATES TO THE BRIEF
4 students are in the college after hours, while the basement shutters are up they go down there to see what its like and accidentally get locked in there. As they know they are going to be stuck in there for the night they continue to film until the morning to pretend to be like other films that document their experience. As they look at some funny footage they recorded, they replay it and see a mysterious figure in the distance. As they go in the same direction of where the figure was they enter the room and the door shuts mysteriously without any of the known characters doing it. knowing something strange is going on they look around the basement to try and get some answers.
KEY MILESTONES
- Planning (Find location, find the cast etc.)
- Get equipment/ props
- Arrange meet ups (Inc. times, dates etc.)
- Film
- Edit
- Add non-diegetic sounds & special effects in editing
- 27th october pre- production planning10th november-12th of december:filiming19th December on wards :editing30th march final submissonlauch date 13th
EQUIPMENT
- Camera
- Boom mic
- Dolly
- Lights
- Tripod
- night vision camera
PROPS AND MODELS
- hammer
- knifes
- Phone
- camera prop
HEALTH AND SAFETY CONSIDERATIONS
- for each location that we film in as part of this production we will complete a Recce form and a risk assessment
- Be careful when using knives. Make sure not to run down stairs as people may trip. Be careful of the surroundings, as it will be dark.
- Make sure not to leave camera bags on the floor in case someone trips.
- Make sure that the equipment does not overheat/ get wet.
- Make sure that actors are wearing suitable footwear.
- Must be careful when crossing roads/ over tram tracks etc.
LEGAL AND ETHICAL CONSIDERATIONS
According to Ofcom who regulate broadcasting on TV, for our production these are the rules we must follow (Material that might seriously impair the physical, mental or moral development of people under eighteen must not be broadcast). We must not show swearing, graphic violence, explicit sex scenes or alcohol and drugs before the watershed. (The watershed is at 9pm; the unsuitable material listed earlier cannot be shown before this time as children may be watching television). Due to this our trailer will therefore be shown post watershed, as according to the BBFC the film certificate for our film will be an 15 as we include graphic violence and swearing within our film trailer.
Rules for violence that we must abide by:
- Programmes must not include material (whether in individual programmes or in programmes taken together) which, taking into account the context, condones or glamorises violent, dangerous or seriously antisocial behaviour and is likely to encourage others to copy such behaviour.
- our film trailer does not promote the idea of violence to the audience as it has mild violence shown very often
- Methods of suicide and self-harm must not be included in programmes except where they are editorially justified and are also justified by the context.
methods of suicide and self harm most not be included in the program except where they are editorially justified. it is important to follow the BBFC guidelines to protect a younger audience which are more vulnerable from the issues in the film trailer
The Data Protection Act 1998 (DPA) is an Act of Parliament of the United Kingdom of Great Britain and Northern Ireland which defines UK law on the processing of data on identifiable living people. It is the main piece of legislation that governs the protection of personal data in the UK. consent must be sought of individuals who are featured in photography or video footage, we will do this by making sure every actor and person featured in the the trailer has signed a consent form
distribution methods
our trailer would be found on websites such as youtube, social media sites, netflix and on demand sites, our trailer would also be shown in cinemas before other films with the same certificate are played mass and commercial to reach a broader audience.

Collaboration and composed correspondence:
Correspondence between a producer and his group is indispensable for getting crosswise over thoughts for the generation. Basically, this part depended on me to give association and initiative to entire group. The following is the confirmation of some storyboards which is a case of arranging inside our film trailer
The Data Protection Act 1998 (DPA) is an Act of Parliament of the United Kingdom of Great Britain and Northern Ireland which defines UK law on the processing of data on identifiable living people. It is the main piece of legislation that governs the protection of personal data in the UK. consent must be sought of individuals who are featured in photography or video footage, we will do this by making sure every actor and person featured in the the trailer has signed a consent form
distribution methods
our trailer would be found on websites such as youtube, social media sites, netflix and on demand sites, our trailer would also be shown in cinemas before other films with the same certificate are played mass and commercial to reach a broader audience.

Advancement of abilities
Doing this part has given the chance to pick up and build up specific qualities that a Director must have to convey a quality bit of film. Performing this employment obliges you to have superb relational abilities, as it is basic you keep up contact with every area of the generation group so as to keep the possibility of the film going. I have needed to delegate and convey to each of the on-screen characters on how I needed them to perform keeping in mind the end goal to satisfy their character part. I've had experience of administration through being a corporal in Air Cadets which was the reason I chose to put myself forward for this part toward the start of this anticipate. The qualities which I increased through being a corporal, concealed and created all through the whole procedure of generation. Having the capacity to get your voice heard and adjust and resolve imaginative contrasts inside a film generation group is crucial and I believe that these are the best aptitude advancements I have taken from this experience.
Undertaking of Additional Tasks
All through the procedure of making the WARP Films Inspired Film Trailer in Unit 46, I assisted made commitment to every part to ensure that the creation stuck to my particular; taping scenes, helping with altering and arranging an idea and story to our piece. I put forth a concentrated effort to satisfy these obligations since I had a noticeable vision of how I needed the film to look and sound. Beside the obligations of being a chief, I trust I made the best commitment in my additional obligations, to after generation working close by Lead Editor, Will to sharpen starting surges and alters into the last fledged trailer.
Collaboration and composed correspondence:
Correspondence between a producer and his group is indispensable for getting crosswise over thoughts for the generation. Basically, this part depended on me to give association and initiative to entire group. The following is the confirmation of some storyboards which is a case of arranging inside our film trailer
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